As we approach springtime, it’s becoming clear that we really haven’t had a winter here in the southwest. One big storm came through, but in a week’s time, that was already in the rearview mirror. There have been some years where spring has produced several good storms, and salvaged what was otherwise a dismal water season. I’m hoping this is one of those years, because we really need the water.
Incorporating the sun into a landscape photo can present many undesirable effects, unless you have the right conditions. It usually comes down to having the right clouds. If that isn’t happening, you can use a foreground element to partially block the sun. In the case of the photo above, there was a heavy overcast sky which just allowed enough of the sun to come through over Valley Of Fire State Park, Nevada. This is my submission to Leanne Cole’s Monochrome Madness this week. This is also my post for this week’s Daily Post Challenge: Variations on a theme.
Another shot from Valley Of Fire that includes the sun was this one through an arch. There was another small opening in the rock, and I positioned myself to a spot where the sun was just catching the edge of the rock. This was a matter of inches in either direction for getting the sunburst I wanted, or getting full blown sun flare.
With decent optics, and just a little bit of time in editing, there are times you don’t need anything to filter the sun out at all.
Sometimes, I’ve gotten lucky, and the perfect cloud has moved into place. This photo from the Grand Canyon was one of those moments. The cloud was just large enough to block the sun for about 10 seconds – all I needed.
Of course, there was nothing like the film days, and being able to stop down to f/64 or f/90 with a large format lens. I think there might have been a little humidity in the air to help this one, too.
The South Rim of the Grand Canyon can be miserably hot in the early parts of summer, so many people find it surprising how miserably cold it can be in winter. As with many canyons of the southwest, snow doesn’t stick to the sheer walls, so the layers are accentuated by the snow. Even in relatively flat light, this adds depth to the scene. Photos taken when winter storms are in the clearing process are some of the most dramatic I’ve ever seen of the canyon, and the temps are usually tolerable at that point. Watch out for the days following, when wind chill factors can make it feel like Canada.
This is my contribution to Leanne Cole’s Monochrome Madness this week. Instructions on how to participate, and the contributions of others can be found on her website.