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Monochrome Madness: MM4-31

waves, Hawaii, monochrome, Steve Bruno

On my first full day on the big island of Hawaii this summer, I set out to return to some locations that I had visited my previous time there.  I hadn’t checked the weather before I set out, so I was unaware that a tropical storm was a couple hundred miles offshore.  The first place I stopped at was too wet to get out for pictures, and I thought the day might be a bust.  I was pleasantly surprised to drive a little further, and see drier conditions for another spot with fond memories.

I chose my first location cautiously because the waves were more robust than my last visit.  The area I picked didn’t have a single drop of water anywhere under my feet.  Nonetheless, I waited about 10 minutes and watched wave activity before unpacking the camera and tripod.  That first spot was on a ledge about 15 feet above ocean level, and the bigger waves splashed close to that height, but all towards the left.  I spent over half an hour there, getting some great stills and video.  Afterwards, I moved to some other areas along this point where the water was calm by comparison.

I thought I was almost done, but returned to the first spot, just slightly further back.  The contrast between the close rock formations and the ones slightly further, with occasional light splashes of water, gave me a different perspective.  I had my shutter release cable attached and my drive on high speed, because you never know what you might get with water splashing.  You can always delete the boring ones.

All I will say is that I heard this one coming.  Instinct told me to keep holding the shutter.  This is not a telephoto shot, but actually a bit of a wide angle lens.  Somewhere under all that airborne water is the spot I had been standing earlier.

This is my contribution to Leanne Cole’s Monochrome Madness this week.  In the first week of the month, there is a theme, with this theme being up in the air.  To see what other photographers have contributed, or instructions to join in, please visit Leanne’s website.

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Monochrome Madness: MM4-30

abstract, patterns, desert, aerial photography, Steve Bruno

I’ve had plenty of time in airplanes recently, and this is the view of the desert just east of here in the Arizona desert.  I have crossed this location several times, but never with this beautiful early morning light.

This is my contribution to Leanne Cole’s Monochrome Madness this week.  Next week there will be a theme of Up In The Air.  My photo next week will not be another aerial view….this is just a teaser.  To see what other photographers have contributed, or instructions on how to join in, visit Leanne’s website.

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Monochrome Madness: MM4-28

Ice fog, Cowlitz River, Washington, Steve Bruno

Last week I was back in the Pacific Northwest, although I did not see any conditions like this again.  This was from a couple years ago, when there was fog in very cold conditions.  Ice coated all the vegetation, but not the roads – conditions I could photograph in all the time if it happened that way!

This was my entry in Leanne Cole’s Monochrome Madness last week.  Running a little late with a lot of travel taking place.

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Monochrome Madness: MM4-27

White Rock Canyon, Lake Mead, Arizona, desert, canyon

Some places are just off limits in summertime.  The canyons feeding into the Colorado River from western Grand Canyon on down towards Parker, AZ are all in that category.  This is White Rock Canyon, in Lake Mead National Recreation Area, just below Hoover Dam.  Just like nearby canyons, the gravel in the bottom is your trail, the grade is very light, and the chances of wanting to take out your camera are very good.

You will find this photo along with the work of others on Leanne Cole’s site.  There are also instructions on how to join in every week.

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WPC: Peek

red rock canyon, nevada, sunrise, Steve Bruno, landscape photography

Earlier this year, I headed out to capture the sunrise at nearby Red Rock Canyon.  I knew a storm front was moving in, and after hiking to reach this spot, it looked as though it might be a day without photos.  Right at sunrise, the sun peeked through a tiny slice of an opening in the clouds.  This lasted for about a minute, and the not-so-distant cliffs in the background (which I had hoped to capture that morning) never fully saw the sun.

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WPC: Rounded

Texas Canyon, boulders, abstract, southern Arizona, gottatakemorepix

This week’s Daily Post Challenge of Rounded made me think of a river bottom full of smooth rocks.  Perhaps that’s because many river bottoms in the desert don’t have rivers in them.  Water’s erosive power works on larger boulders, too, and that’s where I searched through my files.  These rounded boulders are in southwestern Arizona, in a place called Texas Canyon.

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Monochrome Madness: MM4-25

wispy clouds, trees, forest, Mount Charleston, Nevada, Steve Bruno

My photo for this week’s Monochrome Madness comes from the closest forest to my home, on Mount Charleston.  Australian photographer Leanne Cole hosts this event, and at the start of every month there is a theme week.  In September, it was trees.  I had several images for that category, and this was one that I didn’t include back then.  My schedule became very hectic for a couple weeks, and I didn’t post my photo on my blog, even though you can see it on Leanne’s site.

Next week will be have the theme of in the open.  If you’d like to participate, you can find instructions here.

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WPC: Glow

zion national park, sunrise, reflections, virgin river

When I saw the title for this week’s photo challenge, I immediately thought of some of the canyons I’ve visited.  The canyons of the southwestern US are great places to hike because there is often shade.  Because of the shade, light reaching the bottom is often reflected off higher sunlit walls, resulting in a warm glow.  In those canyons where water is present, the effect is magnified.

My photo comes from Zion National Park, Utah.  As sunrise lit up the high cliffs on a morning with clear blue skies, the North Fork of the Virgin River glowed from the light being cast onto it.

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Monochrome Madness: MM4-24

waterfalls, yosemite, national park, california, merced river

Last winter/spring was one of the wettest that California has ever seen, and was declared a drought-buster by several accounts.  Now, about a half year later, we have seen the most devastating fires to ever hit that state.  What happened to all that water?  Did the drought really go away?

Intense, out-of-control fires have occurred in places that you would not normally expect these to take place.  Oregon, Montana, western Canada, and now Portugal have all been in the news for their fires this year.  A reasonable person would have to look at this situation and wonder if there is something we can do for long-term fire prevention.  The White House says global warming and climate change is a hoax.  More FAKE NEWS!

My photo is from several years ago, and is one of my favorites from a springtime trip in what used to be a normal weather year.  I know fires have threatened Yosemite National Park in recent years, and I can’t help but wonder if the next one is the one that leaves the park in ashes.

This is my contribution to Leanne Cole’s Monochrome Madness this week.  To see what other photographers have contributed, or instructions to join in, please visit her website.

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WPC: Scale

hawaii, volcano, eruption, big island, kalapana

On my first trip to the big island of Hawaii, we had lucky timing with the volcanic activity.  The day before I took this photo, a lava tube broke, and all the lava was now running over the hillside instead of underneath it.  I wanted badly to get closer to this spectacle, but the viewing area was roped off, and there was a security patrol to make sure nobody went where they weren’t supposed to go.  Or so I thought.  The viewing area closed at 10 pm, and at 9:55, three men came walking from the other side of the rope and in plain sight of the guards.  None were wearing ranger uniforms, or showing anything indicating authority.  I remember thinking “Who are they, and how the hell were they allowed out there?”  I couldn’t make it back on this trip, so my thoughts of trying to figure out how to get past the rope were not going to make a difference anyway.

What you are looking at is not the source of the eruption.  There was so much lava coming down, that this was where it met the ocean, causing it to shoot up in the air 300-400 feet.  It was really hard to fathom the size of this event, and it wasn’t until I looked at the images blown up on the computer screen, that I saw that those men were in a couple of the frames providing a sense of scale.

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Monochrome Madness: MM4-23

autumn, inner basin, san francisco peaks, snow, flagstaff, steve bruno, gottatakemorepix

I love this time of year when the air gets cooler and the leaves change color.  Occasionally, cold fronts come through with a little moisture, and hopefully, not much wind.  That was the case for this photo from the San Francisco Peaks, near Flagstaff, Arizona taken a couple years ago.

This is my contribution to Leanne Cole’s Monochrome Madness this week.  To see what other photographers have contributed, or instructions to join in, please visit her website.

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Monochrome Madness: MM4-19

Pahranagat National Wildlife Refuge, Nevada, Steve Bruno, gottatakemorepix

After having spent most of July in Oregon and Hawaii, I have to admit I’ve been a bit uninspired to head out into the desert.  Last week we had a beautiful day that started out with clouds and rain, and I made a relatively unplanned tour through the desert.  One of my stops was at Pahranagat National Wildlife Refuge along the Great Basin Highway.  I probably would have seen more wildlife if this hadn’t been towards the middle of the afternoon, but tall shade-providing trees, roads lined with sunflowers and small lakes were enough to soothe the senses.  The breezes would occasionally find a lull, and the clouds were just enough to provide a little contrast for my photo here.

You can see this photo on Leanne Cole’s Monochrome Madness this week.  To see what other photographers have contributed, or instructions to join in, please visit her website.

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