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Monochrome Madness: MM 208

Last week we had a late season winter storm which brought snow to the mountains and a decent amount of rain to lower elevations.  I went out to hike around the rainwater pools before they evaporated, and was fortunate to have plenty of fast-moving clouds for long-exposure photos.  This is my contribution to Leanne Cole’s Monochrome Madness this week.  To see what other photographers have contributed, or instructions to join in, please visit Leanne’s website.

WPC: Variations On A Theme

Incorporating the sun into a landscape photo can present many undesirable effects, unless you have the right conditions.  It usually comes down to having the right clouds.  If that isn’t happening, you can use a foreground element to partially block the sun.  In the case of the photo above, there was a heavy overcast sky which just allowed enough of the sun to come through over Valley Of Fire State Park, Nevada.  This is my submission to Leanne Cole’s Monochrome Madness this week.  This is also my post for this week’s Daily Post Challenge: Variations on a theme.

Another shot from Valley Of Fire that includes the sun was this one through an arch.  There was another small opening in the rock, and I positioned myself to a spot where the sun was just catching the edge of the rock.  This was a matter of inches in either direction for getting the sunburst I wanted, or getting full blown sun flare.

sun, sunburst, desert, red rocks, valley of fire, nevada, steve bruno

With decent optics, and just a little bit of time in editing, there are times you don’t need anything to filter the sun out at all.

 

Morning Sun Black Sand Beach Hawaii

Sometimes, I’ve gotten lucky, and the perfect cloud has moved into place.  This photo from the Grand Canyon was one of those moments.  The cloud was just large enough to block the sun for about 10 seconds – all I needed.

sunset, grand canyon, national parks, arizona, gottatakemorepix, steve bruno

Of course, there was nothing like the film days, and being able to stop down to f/64 or f/90 with a large format lens.  I think there might have been a little humidity in the air to help this one, too.

sunrise, ozarks, missouri, gottatakemorepix

WPC: Serene

As is probably obvious by now, I have a fascination with the desert.  The plants, features, textures and moods always provide reasons to explore further.  Although I have experienced serenity in the desert, I’m not sure I have images that convey that mood – especially to those who have never truly explored those same places.

I think there are many who would agree that oceans are a great place to find serenity, especially on a remote beach at sunrise.  I find that sunrises, in general, tend to be more peaceful and calming than sunsets.  Perhaps because they signal the start of a new day, often witnessed alone.  Almost everyone I know thinks this is not a good time to be awake yet.  That’s OK.  More serenity for me to enjoy.

clouds, reflection, black sand beach, Hawaii, solitude

trees, mountains, sunrise, colorado

I can find calm settings just about anywhere in nature, but I think forested mountains would have to be second on my list, right after oceans.  Having a lake or a small stream is certainly an added element of calming.

mountains, lake, reflections, wasatch mountains, utah, Steve Bruno

Black Hills, South Dakota, rolling hills, Steve Bruno

I spend a fair amount of time in airplanes.  By allowing myself to get distracted looking out the windows, I find this can become very calming, especially when flying over seemingly infinite cloud cover.

gulf of mexico, clouds, aerial photography, gottatakemorepix

clouds, aerial photography

Also making my list would have to be any moment when witnessing a rainbow.  This one happened to be from an airplane.  Ahhhhhhh!

rainbow, sunset, sacramento, california, aerial photography

 

PHOTOS:

  • Feature photo:  Early morning on a black sand beach in Hawaii
  • 2nd:  Same beach and morning as above
  • 3rd:  Sunrise from Rocky Mountain National Park, Colorado
  • 4th:  Small lake in the Wasatch Mountains, Utah
  • 5th:  Infinite rolling hills from the Black Hills, South Dakota
  • 6th:  Minimal cloud cover over the Gulf of Mexico
  • 7th:  Sea of clouds somewhere over Texas
  • 8th:  Rainbow upon approach to Sacramento, California

Monochrome Madness: MM3-30

Last week I had a short trip to the east coast, and managed to get a little time at the beach.  On my second day there, the clouds lit up for a sunset that was very nice.  After that I continued shooting, knowing that any of those shots would be best as b&w.  The last one of the night turned out to be my favorite, and is my contribution to Leanne Cole’s Monochrome Madness this week.  You can go to her site to see photos contributed by others, as well as instructions on how to participate.

October Moon

Last night, just before I thought I was going to bed, I stepped outside to take a look at the clouds and enjoy the fresh breeze.  The motion of the clouds passing in front of the moon was fascinating, and I knew I had to go inside and grab my camera.  My DSLR shoots really good video, but I also brought out my basic Sony camcorder.  The camcorder does well in low light, even though it has the smaller sensor.  I had a feeling the breezes were going to shake the long lens I was going to use on the camera.

I’m amazed at digital technology in that I can take a decent shot of the moon hand-held with a long lens.  The results improved when I put it on a tripod, but they were still very acceptable without.  As I suspected, I didn’t get any lengthy videos without vibration on the DSLR videos.  This one is from the Sony, and in real time.  Just in time for Halloween!

Monochrome Madness: MM3-18

This is one of those rare times when the last shot of the morning turns out to be my favorite.  I had been up for sunrise, near that hill in the lower part of the frame.  The first minutes of daylight had a powerful glow, with just enough clouds to add some life to the scene.  As the morning progressed, the light continued to change with the building clouds.  After taking photographs for more than 2 hours, I thought I had exhausted all the possibilities, and was heading back down the trail.  I turned around in time to see this, and fire off a couple shots.  The saturation didn’t have the pop that was present in my early morning pics, but that didn’t matter.  I knew right away this was meant to be in b&w.

You will see this photo along with those of other bloggers in Leanne Cole’s Monochrome Madness this week.

Monochrome Madness: MM3-14

I love hidden treasures – those places you come across that very few people visit or even know about.  This is one of those places.  It’s on the edge of metropolitan Phoenix, Arizona, and so close it may be in the city limits.  But, for the millions living there, most have never seen this.

The water flows year round, and it used to be the dogs’ favorite spot for a walk.  Just not today.  Photography came first.  The scents of the river covered my clothing, and I was frantically sniffed upon returning, and given looks that said How could you go there without us?  I was soon forgiven because dogs are great at that.

This is my contribution to Leanne Cole’s Monochrome Madness this week.  You can see what other bloggers have added at Leanne’s site.

WPC: Spare

From the wide open spaces near Idaho’s Sawtooth Mountains, where there’s plenty of room to spare, comes this elegantly simple summertime meadow.

For the Daily Post Challenge Spare

Monochrome Madness: MM3-6

Cumulus clouds and sunsets can often combine for some of my favorite lighting in color photographs.  This was a bit early for the underside of the clouds to display the changing colors, but the atmospheric conditions made the timing for this shot perfect.

This is my contribution to Leanne Cole’s Monochrome Madness this week.  You can see more b&w images from other photographers on her website’s blog.

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