I like exploring nature to find the features that haven’t been posted on social media over and over again. If I sent this one out with a location tag, I’m afraid it might join that not so elite group. As with an image I posted a couple months ago, this one is loaded with color, but I’m more inclined to this rendition.
The Navajo Nation has imposed more restrictions on travel, so it might be another six months before anyone can visit here the way Covid cases are going. I’m glad I’ve had opportunities to see many places on the reservation, including some not available to most. This is one of those photos that I think most people would show in color (with the saturation boosted as well), but the details are perfectly suited to black and white.
I am always intrigued by desert plants and how they grow and bloom. The agave (above) grows from a tightly packed center. As the leaves peel outward, they retain the lines of the leaves they grew adjacent to. The plants provides great lines and textures and photograph well from many angles, but I always liked this one showing the core.
Bolts of lightning always leave fascinating lines, whether a single strike, or a multitude. This was probably the most potent and tightly concentrated thunderstorm I ever photographed.
Another weather situation that can provide great lines to photograph are icicles.
I’m always looking for trees to photograph, mostly based on their lines and the shapes they create.
Sometimes, I don’t even have to look upward to see the photograph I want from a tree. Ponderosa pines are one of many types of trees with great bark patterns.
I find that landscape photographs are often best when there are lines that take you through the frame. The southwestern US has many locations with powerful lines.
The canyons near Escalante, Utah streaked with desert varnish, or the twisted sandstone of the Vermillion Cliffs are just two examples of that.
Antelope Canyon is one of the most photographed spots in the southwestern US. As you wander through this tight canyon, you can’t help but eventually look towards the sky which is no longer visible. Light tries to find its way to the bottom, and as it does, highlights the textures of the smooth, twisted, sculpted walls.
This is my contribution to Leanne Cole’s Monochrome Madness this week. Being the first one of the month, there was a theme of From Under. To see what other photographers have contributed, or instructions to join in, please visit Leanne’s website.